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Human rights --- Literature --- Sociology of culture --- Censorship --- Censure --- Periodicals --- Périodiques --- Censuur. --- History of communications. --- Capitalist press, magazines, news agencies. --- Business, Economy and Management --- Social Sciences --- General and Others --- Censorship. --- Périodiques --- EBSCOCMMC-E EJCOMMU EJLANGU EJLITTE EJSOCIA EPUB-ALPHA-I EPUB-PER-FT SAGE-E TAYFRA-E --- Book censorship --- Books --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- Law and legislation

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censuur --- Human rights --- Censorship --- Freedom of information --- 342.727 --- 342.732 --- 342.7 <100> --- Information, Freedom of --- Liberty of information --- Right to know --- Civil rights --- Freedom of speech --- Intellectual freedom --- Telecommunication --- Book censorship --- Books --- Literature --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Prohibited books --- Law and legislation --- Article 19 (Organization) --- Article Nineteen (Organization) --- International Centre on Censorship --- XIX (Organization) --- International Centre Against Censorship --- Всемирная кампания за свободу слова --- Vsemirnai︠a︡ kampanii︠a︡ za svobodu slova --- Global Campaign for Free Expression --- Nineteen (Organization) --- 19 (Organization) --- Član 19 (Organization) --- Артикль 19 (Organization) --- Artiklʹ 19 (Organization) --- Артикль девятнадцатый (Organization ) --- Artiklʹ devi︠a︡tnadt︠s︡atyĭ (Organization) --- مؤسسة 'المادة ١٩' --- Censorship. --- Freedom of information. --- ARTICLE19 (Organization)

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During World War I, the Catholic church blocked the distribution of government-sponsored VD-prevention films, initiating an era of attempts by the church to censor the movie industry. This book is an entertaining and engrossing account of those efforts - how they evolved, what effect they had on the movie industry, and why they were eventually abandoned. Frank Walsh tells how the church's influence in Hollywood grew through the 1920s and reached its peak during the 1930s, when the film industry allowed Catholics to dictate the Production Code, which became the industry's self-censorship system, and the Legion of Decency was established by the church to blacklist any films it considered offensive. With the industry's Joe Breen, a Catholic layman, cutting movie scenes during production and the Legion of Decency threatening to ban movies after release, the Catholic church played a major role in determining what Americans saw and didn't see on the screen during Hollywood's Golden Age. However, notes Walsh, there were serious divisions within the church over film policy. Bishops feuded with one another over how best to deal with movie moguls, priests differed over whether attending a condemned film constituted a serious sin, and Legion of Decency reviewers disagreed over film evaluations. Walsh shows how the decline of the studio system, the rise of a new generation of better-educated Catholics, and changing social values gradually eroded the Legion's power, forcing the church eventually to terminate its efforts to control the type of film that Hollywood turned out. In an epilogue he relates this history of censorship to current efforts by Christian fundamentalists to end "sex, violence, filth, and profanity" in the media.

Motion pictures --- Censorship --- Moral and ethical aspects. --- censuur --- film --- General ethics --- Film --- National Legion of Decency --- Moral and ethical aspects --- United States --- #SBIB:309H1314 --- #SBIB:316.331H537 --- #SBIB:316.331H340 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmwezen: politieke, juridische, ethische, ideologische aspecten --- Godsdienstige praktijken: massamedia --- Godsdienst en cultuur: algemeen --- History and criticism --- National Legion of Decency. --- Catholic Church. --- Legion of Decency --- National Catholic Office for Motion Pictures (U.S.)

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"In 2017, the Whitney Biennial included a painting by a white artist, Dana Schutz, of the lynched body of a young black child, Emmett Till. In 1979, anger brewed over a show at New York's Artists Space entitled The Nigger Drawings. In 1969, the Metropolitan Museum of Art's exhibition Harlem on My Mind did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest. Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at large--has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three "acts" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?" -- Publisher's description

Art and race --- Freedom and art --- African Americans in art --- Aesthetics of art --- racial discrimination --- museums [buildings] --- art criticism --- African American --- minorities --- #breakthecanon --- United States --- kunst --- kunstgeschiedenis --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- racisme --- museologie --- censuur --- Verenigde Staten --- Afro-Amerikanen --- 7.01 --- Art and freedom --- Artistic freedom --- Art --- Communication in art --- Creation (Literary, artistic, etc.) --- Afro-Americans in art --- Negroes in art --- Race and art --- Ethnopsychology --- History --- Censorship --- United States of America

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Ethical Theory and Moral Practice is a peer-reviewed journal which aims to publish the best work produced in all fields of ethics. It welcomes high quality submissions regardless of the tradition or school of thought from which they derive. As an editorial priority, however, presentations should be accessible to the philosophical community at large. Ethical Theory and Moral Practice seeks interdisciplinary cooperation between ethics, theology and empirical disciplines such as medicine, economics, sociology, psychology and law. It recognises that distinctions between theory and practice are, to a large extent, artificial. The journal therefore aims to publish theoretically relevant 'practical' ethics and practically relevant 'theoretical' ethics.

General ethics --- Ethics --- Applied ethics --- Ethical problems --- Morale --- Ethique appliquée --- Problèmes moraux --- Periodicals --- Périodiques --- Ethics. --- Social values. --- Éthique appliquée --- Applied ethics. --- #FHIW:CAT1 --- Arts and Humanities --- General and Others --- Philosophy --- Social Values. --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Values --- Practical ethics --- Casuistry --- Value Orientation --- Values, Social --- Value Orientations --- Value of Life --- Virtues --- Social Norms --- Egoism --- Ethical Issues --- Metaethics --- Moral Policy --- Natural Law --- Situational Ethics --- Ethical Issue --- Ethics, Situational --- Issue, Ethical --- Issues, Ethical --- Law, Natural --- Laws, Natural --- Moral Policies --- Natural Laws --- Policies, Moral --- Policy, Moral --- Censorship, Research --- Social Values --- Valeurs sociales.